Research: Books
Smith,
Hazel and Dean, Roger T. 1997. Improvisation, Hypermedia and the Arts Since 1945, London and New York,
Harwood Academic. (334 pages).
Smith,
Hazel. 2000. Hyperscapes in the Poetry of Frank O'Hara: difference,
homosexuality, topography, Liverpool, Liverpool University Press. (230 pages).
Smith, Hazel. 2005.
The Writing Experiment: strategies for innovative creative writing, Allen and Unwin, Sydney
(288 pages).
The
Writing Experiment was shortlisted for the peer-reviewed Australian Publishing
Association (APA) Awards for Excellence in Educational Publishing in the
tertiary single-title category. It was also voted one of the books of the year
by the editor of Stride magazine UK.
Smith,
Hazel and Dean, Roger T. Practice-led research, research-led
practice in the Creative Art, Edinburgh University Press, forthcoming.
Smith,
Hazel.1989. ÒOutstanding Poetry: Writers in Recital. Sydney Art Perspecta 89Ó, The
Age Monthly Review, Vol. 9, no. 6, pp. 6-8.
Dean,
Roger T. and Hazel Smith. 1991. ÒDigesting the Message: A View of Texts for
Interpretation, Reconstruction and ImprovisationÓ, Sounds Australian, No. 29, pp. 38-46.
Smith,
Hazel. 1992. ÒThe Verbal ImprovisorÓ, Sounds Australian: Journal of
Australian Music, No. 32, pp. 36-38 and 44.
Smith,
Hazel. 1992. ÒA Context for ExperimentationÓ, Over Here, Spring, pp. 139-141.
Smith,
Hazel and Roger T. Dean. 1993. ÒTalking and Thinking: Hazel Smith and Roger
Dean in Conversation with David AntinÓ, Postmodern Culture, an electronic
journal of interdisciplinary criticism, vol. 3, No. 3. (This can be
accessed as ANTIN.593).
Smith,
Hazel. 1993. ÒPerformance, Improvisation and Technology: American Contemporary
Avant-Garde PoetryÓ, Australasian Journal of American Studies, vol. 12, No. 2,
pp.15-31.
Smith,
Hazel. 1994. ÒFormal Experimentation in Twentieth Century Poetry: Theory,
Context and ProcessÓ, Australasian Journal of American Studies, Vol. 13, No. 2, pp. 71-83.
Smith,
Hazel. 1995. ÒFeminist Performance Linguistics: Language, Sound, Performance
and Technology at WorkÓ, Sounds Australian: Journal of Australian Music, No. 45, pp. 28-31.
Smith,
Hazel. 1995. ÒIn Memory of Metaphor: Deconstructive Modes in the Poetry of
Frank O'Hara", Journal of the Australasian Universities Language and
Literature Association, No. 84, pp. 65-83.
Smith,
Hazel. 1995. ÒStatementÓ, Sounds Australian: Journal of Australian Music, No. 46, p. 26.
Smith,
Hazel. 1996. ÒA Convention of New PoetriesÓ, Real Time, No. 15, p. 9.
Smith,
Hazel. 1996. ÒBeyond Poetry: The Sonic Investigation of the WordÓ, Island, no. 67, pp.
131-139.
Smith,
Hazel. 1999. "The Site which is No-Place: Hypermedia, Travel, MigrationÓ Heat
13, pp. 189-211.
Smith,
Hazel. 2001. ÒPoetry off the Page
in Performance and New MediaÓ Meanjin, Poetics, Vol.60,
No.2, pp.169-171.
Smith,
Hazel. 2001. ÒWomenÕs Experimental Writing and GlobalisationÓ HOW2 Forum http://www.departments.bucknell.edu/stadler_center/how2/current/forum/more-forum.html#smith.
Smith,
Hazel and Roger T. Dean. 2002. ÒThe Egg The Cart The Horse The Chicken:
cyberwriting, sound, intermediaÓ Interactive Multimedia Electronic Journal
of Computer-Enhanced Learning. Vol. 4. No. 1, http://imej.wfu.edu.
Smith,
Hazel. 2002. ÒA Labyrinth of Endless Steps: Fiction making, Interactive
Narrativity and the Poetics of Space in Paul AusterÕs City of GlassÓ, Australian
Journal of American Studies, Vol. 21, No. 1, pp.33-51. Now also on the web at
http://www.anzasa.arts.usyd.edu.au/a.j.a.s/docs/contents_2002.htm.
Brewster,
Anne and Hazel Smith. 2002. ÒProseThetic MemoriesÓ, Salt: An International
Journal of Poetry and Poetics: Memory Writing, Vol. 16, pp. 100-111.
Smith,
Hazel and Roger T. Dean. 2003. ÒVoicescapes and Sonic Structures in
the Creation of Sound TechnodramaÓ, Performance Research, 8 (1) pp. 112-123.
Brewster, Anne and Hazel Smith. 2003. ÒAFFECTions: friendship,
community, bodiesÓ, Text Vol. 7, no. 2.
http://www.gu.edu.au/school/art/text/oct03/brewstersmith.htm.
Smith, Hazel. 2004. ÒCursors and Crystal Balls: digital technologies and the futures of writingÓ Text, Vol. 8, No. 2. http://www.gu.edu.au/school/art/text/oct04/smith.htm.
Roger T. Dean and Hazel Smith. 2004. "Sonic Narratives:
intermedia transformations in the work of austraLYSIS", Australasian
Music Research, vol. 8, 2004, pp. 91-106.
.
Dean, Roger and Hazel Smith. 2005. ÒThe
evolving technology of performance in the work of austraLYSIS, and the politics
of co-operativityÓ, Sounds Australian. no. 66.
http://www.amcoz.com.au/res-arts.htm.
Smith, Hazel. 2005. ÒThe Erotics of Gossip: Fictocriticism, Performativity, TechnologyÓ, Continuum: Journal of Media and Cultural Studies, vol. 19, no.3, pp. 403-412.
Smith, Hazel and Dean Roger. 2006. ÒPosthuman collaboration: multimedia, improvisation and computer mediationÓ, M/C Journal, vol. 9, no. 2: http://journal.media-culture.org.au/0605/14-smithdean.phpMay 2006.
Dean, Roger, Mitchell Whitelaw, Hazel Smith and David Worrall. 2006. ÒThe Mirage of Real-Time Algorithmic Synaesthesia: Some Compositional Mechanisms and Research Agendas in Computer Music and SonificationÓ, Contemporary Music Review, vol. 25, no. 4, pp. 311-326.
Smith, Hazel. 2006. ÒEmerging from the Experiment: a systematic methodology for creative writing teachingÓ, New Writing: the international journal for the practice and theory of creative writing, vol. 3, no. 1, pp.17-34.
Hazel Smith. 2007. ÒSoundAFFECTs: transcoding, writing, new media, affectÓ, Scan: Journal of Media Arts Culture, vol 4. no. 1
http://scan.net.au/scan/journal/display.php?journal_id=89
Hazel Smith. 2007. Review of Daisy Fried, My brother is getting arrested again and Malena Morling, Astoria. Australian Journal of American Studies, vol. 26. no. 2, pp. 115-119.
Hazel Smith,
2008. ÒFeminist experimentalism and morphing writing practicesÓ, Southerly 2 The Sister Arts, vol. 68, no. 1, pp.
34-58.
ÒMusical
Imaginaries in Vikram SethÕs An Equal MusicÓ, Mosaic: a journal for the interdisciplinary
study of literature,
forthcoming.
Research: Chapters in books
Smith,
Hazel. 1989. ÒImage, Text and
Performance; inter-artistic relationships in contemporary poetryÓ in D. Murray
(ed.), Literary Theory and Poetry: Extending the Canon, London, Batsford, pp.
149-166.
Dean,
Roger and Smith, Hazel. 1992. ÒMusic-Sound-Text-Image and the Futures of
ImprovisationÓ in New Structures in Jazz and Improvised Music from 1960, London and Philadelphia, Open
University Press, pp. 177-190.
Smith,
Hazel.1994. ÒThe Transformation of the Word: Text and Performance in the Work
of Ania Walwicz and Amanda StewartÓ, in
P. Fuery (ed.), Discourse, Representation and Desire: Contemporary Australian Culture and
Critical Theory, Melbourne, Longman Cheshire, pp. 221-238.
Smith,
Hazel. 1999. ÒSonic Writing and Sonic Cross Dressing: Gender, Language, Voice,
Technology", Musics and Feminisms, Sally Macarthur and Cate Poynton,
(eds.), University of Western Sydney, pp.
129-134.
Smith,
Hazel. 2003. ÒFrank OÕHaraÓ in The Encyclopedia of Lesbian, Gay, Bisexual
and Transgender History in America, Mark Stein ed., New York, Charles Scribners Sons,
pp.352-354.
Hazel Smith. 2007. Freya Bailes, Hazel Smith and Roger Dean. ÒHearing and Imaging Place in Sound: A Program to interrelate the Cognitive, Cultural and CreativeÓ in Hearing Places: Sound, Place, Time and Culture eds. Ros Bandt, Michelle Duffy, Dolly MacKinnon) , Cambridge Scholars Publishing, pp. 126-142.
Smith, Hazel. 2006. ÒThe Posthuman and the Writing
Process: emergence, algorithm, affect and multimodality. Ò Creative Writing:
Theory beyond Practice eds. Nigel Krauth and Tess Brady Post Pressed,
Teneriffe, pp. 169-187.
Hazel Smith, 2008. ÒNew Media WritingÓ The Creative Writing Workshop, Graeme Harper (ed), Continuum, UK, pp. 76-86.
Hazel Smith, 2009. ÒTextual variability in new media poetryÓ Multiformalisms ( Susan Schultz and Annie Finch eds.), World Tech Communications LLC.
ÒAffect,
emotion and sensation in new media writing: the work of John Cayley, MD
Coverley, Jason Nelson and Simon BiggsÓ, Literature and Sensation, Anthony Ulhman and Paul Sheehan (eds)
forthcoming.
In
2004 I wrote a back blurb for a book of poems by American poet Susan
Schultz published by Salt, and also a back blurb for Australian poet Margaret
Metz. In 2008 I wrote a back blurb
for Louise WakelingÕs book of poetry, Paragliding in a War Zone
Research: Published conference or
symposium papers
Smith,
Hazel. 1996.ÒCreativity As Method: A New Approach To The Teaching Of Creative
WritingÓ UNSW Education Ô95, conference proceedings.
Smith,
Hazel 2000. ÒFrom Cityscape to Cyberspace: Writing The City in HypermediaÓ in Australian
Writing and the City, Fran de Groen and Ken Stewart (eds.) Association for the
Study of Australian Literature, Refereed Proceedings of the 1999 Conference,
2000.
Research:
Selected conference presentations, workshops or seminars.
1986: ÒNew York Poetry and PaintingÓ, New Castlefield Gallery, Manchester.
1987:
ÒWhy I Am Not A Painter: The Poetry of Frank O'Hara and New York PaintingÓ, Tate Gallery as part of the Mark Rothko retrospective.
1986:
ÒPainting and Poetry in the Work of Frank O'HaraÓ, Department of American
Studies, Nottingham University.
1988:
ÒSelf, Text and Difference: The Collaborations of Frank O'HaraÓ, Kings College, University of London.
1988: ÒText-Sound and Texts for MusicÓ, paper
at the Annual Conference of the British Association for American Studies.
Reviewed in Newsletter No. 58
July, 1988.
1991: ÒText and Performance in the Work of
Amanda Stewart and Ania WalwiczÓ, paper at the Association for the Study of
Australian Literature Conference, Charles Sturt University 1991.
1992: ÒPerformance, Improvisation and
Technology: American Avant-Garde PoetryÓ, paper at the Conference of the
Australian and New Zealand Association for American Studies, Flinders
University 1992.
1992:
ÒPerformance, Improvisation and Technology:American Avant-Garde PoetryÓ
University of NSW Staff Seminar.
1992:
Day workshop for the Queensland WritersÕ Centre.
1993:
Sound Poetry Workshop, The Third Regional Poetry Festival, Wollongong.
January
1996: ÒThe Interchange Between Musical and Literary Ideas in Poetry and
Performance Texts. Paper for the
Words and Music Conference held by the Association for the Study of Australian
Literature and the Library Society, State Library, Sydney.
March
1996: ÒBeyond Poetry: The Sonic Investigation of the WordÓ. Paper for ÒRadical
ArtificersÓ, a panel on experimental poetry chaired by Philip Mead at the
Salamanca WritersÕ Festival.
September
1996: ÒNew Sonic Poetries: the
linguistic appropriation of musical techniques and technologiesÓ Assembling
Alternatives: International Poetry Conference 1996, New Hampshire University, USA.
October
17th 1996: Seminar on New Sonic Poetries in the Department of English at Brunel
University, UK.
February 1997: ÒThe City
and Beyond: Space, Place and ÔHypergraceÕ in the Poetry of Frank O'HaraÓ. Aulla
XXIX Conference, Remaking the Tradition: Language and Literature in the Age of
Multimedia. University of Sydney.
April 1997: "The
City and Beyond: Space, Place and ÔHypergraceÕ in the Poetry of Frank
O'Hara". Staff seminar, School of English, University of New South Wales.
May 1997: ÒSecret PlacesÓ. Address given at the
Waverley Art Gallery, Melbourne.
September 1998: ÒNew
Spaces in Hypertext WritingÓ. National Poetry Festival, Sydney.
September 1998: ÒAll You Need is a Word: Creativity
as MethodÓ. The Writes of Spring, Writers' Spring Festival, Sydney.
December 1998: ÒThe Medium Moves the Message:
intermedia, travel and Ôthe unspeakableÕ in the recent work of austraLYSISÓ,
SoundVision Symposium, The Performance Space, Sydney.
July 1999: ÒFrom Cityscape to Cyberspace: Writing the City in
MultimediaÓ paper for the Australian Society for the Study of Australian
Literature conference, Writing the City, WritersÕ Centre, Sydney.
July
2000: ÒHypermedia as ÔIntertwinglingÕ: Generic Cross-Dressing, Intermedia, Maps
and MirrorsÓ, Writing and the Internet, Trace International Conference, Nottingham Trent University,
Nottingham, UK.
July 2002: ÒA
Labyrinth of Endless Steps:
Interactive Narrativity and the Poetics of Space in Paul AusterÕs ÔCity
of GlassÕÓ. American Studies (ANZASA) Conference, Deakin Waterfront Campus, Geelong.
July 2002: ÒThe Egg,
The Cart, The Horse, The Chicken: Cyberwriting, Kineticism, IntermediaÓ, Incubation 2. The 2nd trAce International Conference
on Writing and the Internet, 15-17th July 2002. Nottingham Trent University.
October 2002:
ÒPoetry in CyberspaceÓ. Talk on writing and new technologies at the ACT Spring
Poetry Festival in October.
November
2002: ÒA Labyrinth of Endless
Steps: Interactive Narrativity and
the Poetics of Space in Paul AusterÕs ÔCity of GlassÕÓ. Staff seminar, School
of Creative Communication, University of Canberra.
November 2003: ÒCursors and Crystal
Balls: digital technologies and the futures of writingÓ. Plenary address at Negotiations:
Writing, the Academy, Publishing. Conference of the Association of Australian
Writing Programs, University of New South Wales.
July
2004: ÒThe Erotics of Gossip: fictocriticism, voicescapes, technologyÓ.
Contemporary Writing Environments Conference, Brunel University, London,
UK.
December
2004: ÒThe Erotics of Gossip:
fictocriticism, voicescapes, technologyÓ. Seminar University of Canberra.
June
2005: ÒSoundAFFECTs: writing, new media, politics, affectÓ. Seminar, School of
Creative Communication, for the
Sonic Communications Research Group.
July
2005: ÒSoundAFFECTs: writing, new media, politics, affectÓ. CongressCath
conference at National Museum of Photography, Film and Television,
Bradford, UK.
July
2005: ÒSoundAFFECTs: writing, new media, politics, affectÓ. UK Network for Modern
Fiction Scholars, University of Westminster, London, UK.
September
2005: ÒSoundAFFECTs: translation, writing, new media, affectÓ, Sound in
Translation, School of Music, ANU.
October
2005: ÒThe Posthuman Writer: multimedia, affect, ethicsÓ, Australian National
Museum in conjunction with ANU, New Media Public Lecture series.
October
2005: ArtistÕs talk, School of Creative Communication, University of
Canberra.
November 2005: ÒTheorising Creative Production: algorithms, emergence, multimodalityÓ, Culture Fix, Cultural Studies Association of Australasia, University of Technology, Sydney.
December 2005: ÒSoundAFFECTs: writing, new media, performance, affectÓ. Eperformances and Plugins, Conference at UNSW.
November
2006: ÒThe Posthuman and the Writing
Process: emergence, algorithm, affect and multimodality. Perilous
Adventures: Creative Writing Practice and Research in the Higher Degree and
Beyond. Australian
Association of Writing Programs. Queensland University of Technology, Brisbane.
December
2006: ÒMusical Imaginaries in Vikram SethÕs An Equal MusicÓ. UnAustralia
Conference. Cultural Studies Association of Australasia. University of
Canberra.
October
2007: ÒMusical Imaginaries in Vikram SethÕs An Equal MusicÓ. Seminar paper. Writing and Society
Research Group seminar. University of Western Sydney.
July
2007: ÒsoundAFFECTs:
transcoding, writing, new media, affectÓ. Literature and Sensation Conference,
University of Western Sydney.
August
2007: (with Roger Dean): ÒThe
Rhythm of Living: Kurt EllingÕs SongTalkÓ , International Conference on
Interdisciplinary Musicology, University of Tallinn, Estonia.
December
2007: ÒThe will to change:
feminist experimentalism and morphing writing practicesÓ, Manifesting Literary
Feminisms conference, Monash University, Melbourne.
July
2008: Poetry and the Trace Conference. LaTrobe University, Afterimage: Loss
Commemoration and Enquiry in the work of Mary Jo Bang, MD Coverley and Joan
Retallack
September
2008 : Changing Australia, BASA, Royal Holloway College, UK. The Afterlives of Betsy Scott: female
murderers, representation, sound technodrama
September
2008: Writing Encounters, St Johns University, York, UK. Morphing Writing
Practices, metaperformance, generic enquiry
November
2008: UTS, Sydney AAWP. Writing and Uncertainty. Practice-led research,
research-led practice in the creative arts.
Creative Writing: Books, scores,
catalogues
Smith, Hazel. 1986. Threely, Peterborough,
Spectacular Diseases Imprint.
Smith, Hazel, Karl, Sieglinde
and Jones, Graham. 1990.
TranceFIGUREd Spirit, Sydney/London, Soma
Publishing.
Smith, Hazel. 1991. Abstractly
Represented: Poems and Performance Texts 1982-1990, Sydney, Butterfly Books.
Smith,
Hazel and Dean, Roger. 1992. Poet Without Language, Sydney, Australian
Music Centre, 1992. (Score).
Hamilton, Kate, Karl,
Sieglinde, Nagorcka, Ron, Smith, Hazel. 1996. Secret Places, Launceston, Queen
Victoria Museum and Art Gallery.
(Publication accompanying installation/collaboration).
Smith,
Hazel. 2000. Keys Round Her Tongue: short prose, poetry and
performance texts, Soma Publications, Sydney, 2000.
Smith,
Hazel. 2008. The Erotics of Geography, poetry, performance texts, new
media works, Tinfish Press (with
CD-Rom)
Creative Writing: Publication of
poems and performance texts in journals and magazines (including on-line
journals).
Smith,
Hazel. 1982. ÒFishÓ, PTO, p.1.
Smith,
Hazel. 1982. ÒCyclingÓ, Tops, p.14.
Smith,
Hazel. 1983. ÒInside OutÓ, Stride, May, p.3.
Smith,
Hazel. 1983. ÒThe Arranged MarriageÓ, Strange Mathematics, Issue Four, p.19.
Smith,
Hazel. 1983. ÒTorchbearerÓ,
Cyphers
19, Summer, p.31.
Smith,
Hazel. 1983. ÒTantrumÓ, The Third Eye, August/September, p.15.
Smith,
Hazel. 1984. ÒMemoryÓ, The Third Eye, April, p.31.
Smith,
Hazel. 1984. ÒPerson to PersonÓ, Graffiti, p.8.
Smith,
Hazel. 1984. ÒDeath by StoningÓ, Sepia, p.32.
Smith,
Hazel. 1984. ÒMemoryÓ, Pennine Platform, April.
Smith,
Hazel. 1985. ÒThe WaitÓ, Cyphers 24, Winter, p.41.
Smith,
Hazel. 1986. ÒBillÕs PictureÓ, ÒMore Menstrual Than the MoonÓ and ÒThe SearchÓ Slow
Dancer,
Summer, pp.6-7.
Smith,
Hazel. 1986. ÒThe LaunchingÓ, Sol, Winter, p.17.
Smith,
Hazel. 1986. ÒPlus FiveÓ, Reality Studios, pp. 31-35.
Smith,
Hazel. 1986. ÒOdd But EvenÓ, Figs, December, pp.17-22.
Smith,
Hazel. 1986. ÒOne Three FiveÓ, in First Offense , pp.26-31.
Smith,
Hazel. 1987. ÒMarks KarlÓ, Tasmanian Marks and Relics, Launceston, Tasmanian
State Institute of Technology. No page numbers.
Smith,
Hazel. 1988. ÒAbstractly RepresentedÓ, Pages, Summer, pp. 3-8.
Smith,
Hazel. ÒTexts Weave World TombÓ, Tasmanian Poetry Festival Programme, 1989 pp.10-11.
Smith,
Hazel. 1989. ÒOdd But EvenÓ, The Age Monthly Review, Vol. 9, no.9, p.6.
Smith, Hazel. 1993. ÒPoet Without
LanguageÓ: ABC submission for the Italia Prize.
Smith,
Hazel. 1994. A special edition of Pages (UK) was devoted to my work in 1994 including publication of
ÒNuraghic EchoesÓ.
Smith,
Hazel. 1995. ÒMirrorÓ, ÒThe Next RoomÓ, ÒThe WomanÓ and ÒVariationÓ in Southerly, Vol. 55, No. 4, pp. 132-135.
Smith,
Hazel. 1996. ÒThe Riting of the RundaÓ, W/Edge, No. 2, pp. 28-32.
Smith,
Hazel. 1996. ÒThe CriticÓ and
ÒTexturesÓ, Southern Review, Vol. 22, No.3, pp. 295-296.
Smith,
Hazel. 1996. ÒMoving The LandscapesÓ and ÒWord Earth WorldÓ W/Edge, No.3, pp. 31 and 39.
Smith,
Hazel. 1997. ÒWalking the Faultlines, Tinfish, No.4, pp. 47-50.
Smith,
Hazel. April 1997. ÒThe Charge of
PoetryÓ, Brisbane Review, p. 13.
Smith
Hazel. 1998. ÒAnxietyÓ, Heat 10, page 61.
Smith,
Hazel. 1999. ÒStoryÓ from Nuraghic Echoes, Southerly, Vol.59, No.2,
pp.121-124.
Smith,
Hazel. 1999. ÒReturning the AnglesÓ, Jacket 7, http://www.jacket.zip.com.au. Text and
audio recording.
Smith,
Hazel. 1999. ÒImagining CitiesÓ, Tinfish, No 8. p. 39.
Smith,
Hazel. 1999. ÒThe Musecal DetectiveÓ, Southern Review, Vol.32, No.3, pp.
302-304.
Smith
Hazel and Sieglinde Karl. 1999. Secret Places (web version) for web journal HOW2 at http://www.departments.bucknell.edu/stadler_center/how2.
Smith,
Hazel. 2000. ÒFullers' Walnut CakeÓ, Cordite, No.6 and No, 7, page 11.
Smith,
Hazel. 2000. ÒPerguiltspekÓ and ÒPoeticsÓ, Vol.2, No.1, Southern Review, pp. 90-91.
Smith,
Hazel. 2000. ÒSpacismÓ Outlet 6: Stars, pp. 8-10.
Smith,
Hazel. 2000. ÒAcouslyticÓ, in the sleeve notes for Roger Dean, Acouslytic:
Acousmatic and electroacoustic works, CD, Tall Poppies, TP153,
Sydney.
Smith,
Hazel. 2001. ÒThe PerformanceÓ, Tinfish, No.10, p.20.
Smith,
Hazel 2001. ÒThe City and The
BodyÓ Meanjin, Vol. 60. No.1, pp. 170-175.
Smith,
Hazel 2001. ÒThe Poet Who TravelsÓ
Sugar Mule at www.sugarmule.com.
Smith,
Hazel 2001. ÒThree WomenÓ and ÒThe
MisunderstandingÓ, Slope 11 and 12 at www.slope.org.
Smith,
Hazel. 2002. ÒMusical AgendersÓ, Southern
Review, Net Work, The Politics of Work in an Information Age, vol 34, no.3,
pp.117-118.
Smith,
Hazel. 2002. ÒThe DecisionÓ in Shampoo http://www.shampoopoetry.com/ShampooTwelve/smith.html.
Smith,
Hazel. 2002. ÒTen Fridays AgoÓ, Sugar
Mule,
http://www.marclweber.com/sugarmule/frame14.htm.
Smith,
Hazel. 2002. ÒActs of OmissionÓ, Sugar Mule, http://www.marclweber.com/sugarmule/frame14.htm.
Smith,
Hazel. 2002. ÒPricelessÓ, PORES: An
Avant-Gardist Journal of Poetic Research, issue 2, http://www.bbk.ac.uk/pores/2/index.htm.
Smith,
Hazel. 2003. ÒBurnt DawnÓ, ÒThe
Poet Who TravelsÓ, ÒMusical AgendersÓ and
ÒHereditiesÓ in Thylazine http://www.thylazine.org/issue7/hs.html.
Smith,
Hazel. 2003.ÒFemale GeographyÓ, Slope 18, http://www.slope.org/archive/issue18/index.php?file=oz_smith.htm&sec=oz.
Hazel
Smith. 2004.Òthe writer, the performer, the program, the madwomanÓ How2, http://www.departments.bucknell.edu/stadler_center/how2/current/multimedia/smith.shtm.
Hazel Smith. 2005. ÒThe Poetics of
UncertaintyÓ. Tin Fish Net, Tinfish Press, Susan Schultz (ed.) http://www.tinfishpress.com/tinfishnet2/smith.html.
Smith, Hazel, 2006.
ÒFirstÓ Tinfish 16/Trout 13, http://www.trout.auckland.ac.nz/journal/13/13_43.html.
Smith, Hazel. 2006.
ÒEmergencesÓ, Tinfish 16/Trout 13,
http://www.trout.auckland.ac.nz/journal/13/13_44.html.
Hazel Smith. 2006.
ÒTranslationsÓ, How2, vol. 2, no. 4, http://www.asu.edu/pipercwcenter/how2journal/current/pacific/hazel_smith.html.
Hazel Smith. 2006. ÒThe reader of my bookÓ, How2, vol. 2, no. 4, http://www.asu.edu/pipercwcenter/how2journal/current/pacific/hazel_smith.html.
Hazel Smith. 2006. ÒThe idea of elegyÓ, How2, vol. 2, no. 4, http://www.asu.edu/pipercwcenter/how2journal/current/pacific/hazel_smith.html.
Smith, Hazel. 2006. ÒIn CameraÓ. Jacket, vol. 31, http://jacketmagazine.com/31/smith-hazel.html
Hazel Smith, 2007. She is not on the Internet, The Material Poem: An Anthology of Text-based Art and Intermedia Writing, non-generic publications p. 156. http://www.nongeneric.net/publications/materialpoem_ebook.pdf.
Hazel Smith, 2007, Mini-Histories, The Material Poem: An Anthology of Text-based Art and Intermedia Writing non-generic publications pp. 157-159. http://www.nongeneric.net/publications/materialpoem_ebook.pdf
Creative Writing: Recordings of
poetry and performance work on CD and the Internet
Smith, Hazel. 1994. Poet
Without Language, CD, Sydney, Rufus Records, RF005.
Smith,
Hazel. 1994. ÒSimultaneityÓ, Windows in Time, Tall Poppies, TP039, Sydney.
Smith,
Hazel and Dean, Roger. 1996. Nuraghic Echoes, CD, Rufus Records, RF 025.
Dean,
Roger and Smith, Hazel. 1997. ÒLowering The SkyÓ, sound recording on CD, ed.
Andrew Levy and Bob Harrison, Crayon: Festschrift for Jackson Mac Low, New York, Crayon. Also
recorded on Acouslytic, Tall Poppies Records, TP153, Sydney.
Smith
Hazel 1997. Secret Places, HOW2, Vol.1.No. 2 at http://www.departments.bucknell.edu/stadler_center/how2.
Audio recording and text.
Smith,
Hazel and Roger Dean. 1999. ÒReturning the AnglesÓ, Jacket 7, http://www.jacket.zip.com.au. Audio
recording and text.
Smith,
Hazel and Roger Dean. 2004. Òthe writer,
the performer, the program, the madwoman, How2, http://www.departments.bucknell.edu/stadler_center/how2/current/multimedia/smith.shtm.
Audio recording.
Smith,
Hazel, Roger Dean and Greg White. 2006. ÒThe Space of HistoryÓ, PennSound http://www.writing.upenn.edu/singles/index.php.
Smith, Hazel and Roger Dean. 2007. ÒMid-Air
Conversations,Ó performance work, Pennsound: http://writing.upenn.edu/pennsound/x/Smith-Dean.html
Smith, Hazel and
Roger Dean, ÒUbasteyama, Music of the Spirits, Wirripang, CD,
Smith, Hazel and Roger
Dean, 2008. ÒMinimalÓ, How2, http://www.asu.edu/pipercwcenter/how2journal/vol_3_no_2/new_media/smith_dean/smith_dean.html
Creative Writing: Inclusions in
anthologies
Smith, Hazel. 1991.
ÒThreelyÓ in Floating Capital: New Poets From London, Potes and Poets,
Connecticut, pp. 111-119.
Smith, Hazel. 1994.
ÒSimultaneityÓ, Australian Compositions for Improvisors (ed. J. Pressing),
Melbourne, La Trobe University Press, pp. 100-101.
Smith, Hazel. 1995.
ÒDemigodÓ in Sue Rowley (ed.), Crossing Borders: Contemporary Australian
Textile Art, University of Wollongong, p. 26.
Smith, Hazel, 1997. ÒThe Riting of the RundaÓ in Australian
Mosaic: an
anthology of multicultural writing, Sonia Mycak and Chris Baker (eds), Heinemann, Melbourne, pp.56-58.
Smith, Hazel, 1997. ÒSlowing the MilesÓ in Andrew Levy and
Bob Harrison (eds.) Crayon: Festschrift for Jackson Mac Low, New York, p. 73.
Smith,
Hazel, 2001. Extract from ÒPoet
Without LanguageÓ included in Homo Sonorus Dmitry Bulatov (ed.), National
Centre for Contemporary Art, Kalingrad, Russian Federation. This is an
extensive anthology, in print and CD form, of international sound poetry.
Smith,
Hazel and Dean, Roger. 2001.ÒThe Musecal DetectiveÓ, AltX, http://www.altx.com/audio/networkvoices.
Roger Dean, Anne Brewster and Hazel Smith, 2007. soundAFFECTs, multimedia work, The Material Poem: An Anthology of Text-based Art and Intermedia Writing, non-generic publications embedded in p.160. http://www.nongeneric.net/publications/materialpoem_ebook.pdf.
Hazel Smith and Roger Dean, 2007. the space of history in The Material Poem: An Anthology of Text-based Art and Intermedia Writin performance work, non-generic publications embedded in p. 161. http://www.nongeneric.net/publications/materialpoem_ebook.pdf
Ubasteyama.
Multimedia
work on the internet or on CD Rom
Smith, Hazel, Roger Dean
and Greg White. 1998.Wordstuffs: the city and the body, Hypermedia installation
for the Australian Film Commission's Stuff-art website. Can be accessed at http://www.abc.net.au/arts/stuff-art/stuff-art99/stuff98/10.htm.
Smith,
Hazel and Roger Dean. 1998. Walking The Faultlines, on Cyberquilt: an
ICMA CD—Rom Anthology, San Francisco, International Computer Association.
Smith,
Hazel and Roger Dean. 1999. Intertwingling, published on the Overland
Express
site. In 2001 republished in HOW2 Vol.1, No.5,
http://www.departments.bucknell.edu/stadler_center/how2/current/index.html
Smith,
Hazel and Roger Dean, 2001. Returning the Angles, Soma CD 787, Soma Publishing,
Sydney.
Smith,
Hazel and Roger Dean, 2003. The Egg The Cart The Horse The Chicken, in InfLect, http://www.ce.canberra.edu.au/inflect/01/eggsite.3/eggindex.html.
Dean, Roger, Brewster, Anne and Smith Hazel, 2004.
soundAFFECTs, TEXT, Vol. 8, No. 2. http://www.gu.edu.au/school/art/text/oct04/smith2.mov
Smith, Hazel and Roger Dean, 2006. Time the Magician, performance video in M/C journal, Ó, M/C Journal, vol. 9, no. 2: http://journal.media-culture.org.au/0605/14-smithdean.phpMay 2006.
Smith, Hazel, and Roger Dean, 2006. the space of history. PennSound. http://media.sas.upenn.edu/pennsound/authors/Smith-Hazel/Smith-Hazel_Dean-Roger_The-Space-of-History_2006.mp3.
Smith Hazel and Roger Dean, 2008. Time,
the Magician, How2 http://www.asu.edu/pipercwcenter/how2journal/vol_3_no_2/new_media/smith_dean/smith_dean.html
Smith, Hazel and Roger Dean, 2008. Hanging
Betsy, Meapsoft Music Showcase. http://www.meapsoft.org/showcase.php.
Creative Writing: selected performances, broadcasts, and
commissions.
October
1989: performance at the Tasmanian Poetry Festival. The performance was
recorded by the ABC.
June
1990: performance of text-sound pieces, which included pieces of my own, in the
Verbrugghen Hall, Sydney Conservatorium of Music. This performance was recorded
by the ABC and was described in both The Sydney Morning Herald and on Radio
National, as Òa virtuoso performanceÓ.
October 1990: performance
of my own work in the series ÒWriters in RecitalÓ at the Art Gallery of NSW.
1991: creation and
performance of a collaboration ÒTranceFIGUREd SpiritÓ with artist Sieglinde Karl
and dancer/performer Graham Jones. This project received a grant from the
Australia Council for 1989-1990. A performance of part of the project was given
by the Tasmanian Dance Company at TasDance studios in Launceston on December
10th 1989. The project appeared in its entirety, in the form of an exhibition,
several performances and an accompanying book, at ArtHouse, Ritchies Mill Arts
Centre, Launceston, Tasmania, from October 7th to 28th 1990.
March 1991: performance
of own work in a new series called ÒIrrationalesÓ at the Harbourside Brasserie,
Sydney.
July 1991: performance in
the Subvoicive poetry reading series at the Institute for United States Studies
in London.
September 1991: a
reading/performance at the University of New South Wales as part of Feminist
Book Fortnight.
October 1991: Poet
Without Language, using voice and pre-recorded tape was performed by me in
the austraLYSIS concert at the
Conservatorium of Music, Sydney.
1991: Recording of
ÒSimultaneityÓ, a text-sound composition for voice and keyboard improvisor, for
the ABC.
1992:
performance at the Evil Star, Sydney.
1992: performance at Long
Bay Detention Centre, Sydney.
1992: performance at the
Metro Arts Centre in Queensland.
1992: poetry reading and
talk about my work at Sydney University.
1992: Poet Without
Language,
text-sound collaboration with Roger Dean: broadcast on The Listening Room, ABC
Radio. Commissioned by the ABC.
September 1992: poetry
and sound-text performance at The Edge Theatre, Newtown, Sydney.
September 1992: poetry
reading Open Day, University of NSW.
December
1992: Caged John Uncaged, text-sound collaboration with Roger Dean on Returning the
Compliment: A Tribute to John Cage, ABC radio. Commissioned by the ABC.
January
1993: Silent Waves, text-sound collaboration
with Roger Dean on ABC, Jazztracks.
February 1993: Radio
France discussion and broadcast of Poet Without Language.
March 1993: poetry reading
with John Tranter and Robert Adamson, University of NSW.
April 1993: performed Silent Waves and Caged John Uncaged at Auckland University
and recorded Silent Waves for New Zealand Radio.
April 1993: poetry
reading in the School of English, University of Auckland.
April 1993: performance
of Black Desert, text-sound collaboration with Sandy Evans at the Sydney
Conservatorium of Music.
May
1993: poetry reading and talk about my work at Sydney University.
May 1993: poetry reading
at Perth WritersÕ Society.
August 1993: studio
recording for the ABC of Black Desert (text-sound
August 1993: performance
in Sydney at the Korean WritersÕ conference.
September 1993: poetry
reading at New College, University of New South Wales.
September 1993: Poet
Without Language was nominated by the ABC for the Prix Italia in Rome.
March 1994: Nuraghic
Echoes
(a text-sound collaboration with Roger Dean) broadcast by ABC on The Listening
Room.
May 1994: poetry reading
at the Johnny Otis Club, Sebastopol California.
May
1994: poetry reading and short talk at Stanford University, USA.
July 1994: poetry reading
in the Subvoicive poetry reading series in London.
September 1994:
performance of The Riting of the Runda, joint collaboration with Roger
Dean, in the Eventspace series, the Performance Space, Redfern, Sydney.
December 1994: poetry
reading at Ariel Books, Sydney.
March 1995: poetry
reading arranged by the PoetÕs Union at Gleebooks, Sydney.
May 1995: poetry reading
at Charles Sturt University, Bathurst, New South Wales.
August 1995: performance
of The Riting of the Runda at the Conservatorium of Music, Sydney.
September 1995:
performance with Roger Dean in the Spring Writing Festival at the Sydney
Writers' Centre.
December 1995:
performance with Roger Dean at the Cultural Studies Conference, Charles Sturt
University, Bathurst, NSW.
January 1996: performance
with Roger Dean for Words and Music, a conference held by The Association for
the Study of Australian Literature and the Library Society, Sydney.
1996:
I was involved in a collaborative installation project Secret Places, with artist Sieglinde
Karl, musician Ron Nagorcka, and photographer Kate Hamilton. This project was
funded by Arts Tasmania, Contemporary Arts Services Tasmania, the Queen and
Victoria Museum and Art Gallery, and a Pat Corrigan ArtistÕs Grant, managed by
NAVA with financial assistance from the Australia Council. There was also
private sponsorship from Digital Colour, Melbourne, and the Tasmanian Parks and
Wildlife Service. It was
exhibited, with accompanying publication, at the Queen Victoria Museum and Art
Gallery in Launceston, at the Tasmanian Museum and Art Gallery in Hobart, and
subsequently, in 1997, at the Waverley Art Gallery, Melbourne.
March
1996: performance at the Salamanca Writers' Festival, Hobart, Tasmania.
May 20th 1996:
performance in the ÒWhat is MusicÓ series at the Harbourside Brasserie, Sydney.
July 1996: interview and
short performance on Art Today on the ABC.
July 1996: The Word in
(Cyber) Space: whole evening of text-sound with Roger Dean at the Performance
Space, Sydney. The interactive hypermedia installation Walking The
Faultlines, developed collaboratively with Roger Dean and with technical assistance
from Greg White, was made available to the public for the whole week.
September 1st 1996:
performance at Assembling Alternatives: Poetry Conference /Festival, New
Hampshire, USA.
October 1st 1996: whole
evening performance at the Subvoicive poetry reading series, London.
October 1996: performance
at Brunel University, London.
October 1996: Cambridge
University poetry reading in the Ponana series.
November 1996: performance at
Huddersfield Contemporary Music Festival.
May 1997: performance at the
Strawberry Hills Hotel, Sydney, arranged by Sydney Improvised Music
Association.
August 1997: performance of Secret
Places
at The Performance Space, Sydney.
September 1997: performance with
Greg White at the Women's Music Festival, Sydney.
November 1997: performance at the
Soundings Poetry Festival. Also broadcast on the ABC program, Poetica.
December 1997: performances at the
Performance Space, Sydney, as part of the austraLYSIS multi-media series.
September
1998: Returning the Angles, ABC commission and broadcast for The Listening Room.
December
1998: two performances with austraLYSIS of my own works at The Performance
Space, Sydney.
2000:
performance at the Subvoicive Poetry reading series in London
2000:
performance at the Performance Space, Sydney of The Egg, The Cart, The
Horse, The Chicken, a hypermedia work written by me in the program Flash with
animated words and split screen.
Sound by austraLYSIS.
2001: ABC Listening Room broadcast of a 35 minute performance piece The Erotics of Gossip.
2001: Performance at the Performance Space Sydney of a multimedia version of Prosethetic Memories, a fictocritical collaboration by Anne Brewster and myself, programmed in VRML by Roger Dean.
2002: poetry reading at the Tasmanian Poetry Festival.
2002: poetry reading at the NSW Autumn Writers Festival.
2002: poetry reading at the Brett Whitely Studio, Sydney.
2002: poetry reading at the Australian National Poetry Festival.
2002: guest artist on the radio program Fretless on Artsound Canberra.
2002. ÒDarkLightÓ: collaborative mixed-media installation with artist Sieglinde Karl at the Design Centre, Launceston, Tasmania. Accompanying leaflet.
2002: multimedia performance with Roger Dean at an Arts Wednesday at the University of Canberra.
2002:
The Egg, The Cart, The Horse, The Chicken included in the Seattle Poetry
Festival multimedia event in May 2002.
2002: two performances of own work as part of austraLYSIS performances at the Powerhouse Museum, Brisbane.
October 2003: poetry reading, with Jen Webb and Maria Glyn-Daniel, representing the UC Centre for Writing as part of Turn the Page, a one day literary festival at the National Library of Australia, organised by the ACT Writers Centre.
November 2003: poetry reading at The Loft poetry reading series at UTS, Sydney.
November 2003: performance of my own work as part of an austraLYSIS multimedia event at the Sydney Conservatorium of Music.
2003:
Hazel Smith and Roger Dean. The Egg, The Cart, The Horse, The Chicken included in the multimedia showcase FutureWord,
Bumbershoot Festival, US.
2004:
presentation of performance and multimedia work at a Bimbimbie event,
University of Canberra.
April 2004: performances with austraLYSIS of my own work at The University of Queensland, The Queensland Conservatorium of Music, Griffith University, and the Judith Wright Centre, Brisbane.
July 2004: poetry reading at the Contemporary Writing Environments conference at Brunel University.
July 2004: performance and multimedia presentation as part of ÒSpelt#3Ó, one of a series of events featuring experimental writing (with a bias towards performance and multimedia) curated by Caroline Bergvall at The Horse Hospital, London.
October 2004:
performance of The Space of History with austraLYSIS at the Conservatorium of Music, Sydney.
April 2005: performances of The
Space of History and the writer the performer the program the madwoman in the program
austraLYSIS: Jazz and Sound in Multiple Dimensions on ABC Classic FM.
September 2005: performance of Time,
the Magician, a new media collaboration
with Roger Dean at the Sydney Conservatorium of Music.
October 2007: (with Roger Dean). The Afterlives of
Betsy Scott, (25 minute technodrama) Airplay, ABC Radio National.
October 2007:
Performance of Live Music, Dead Bodies performed by austraLYSIS
at the Conservatorium of Music, Sydney
April 2008: Performance
of Ubsateyama at the Aurora Festival
December 2008:
Performance of Instabilities and Ubasteyama at the
Conservatorium of Music, Sydney.